Journalist and writer
Children stare at the walls of a farmhouse, wondering what the
cracks are, and whether every mark is a path and every path is a story.
They think that miniature beings live in the air pockets that have formed,
and the detaching plaster is like an avalanche cascading from a glacier.
They don’t ask why the colours are as they are, because they just had
to be like that. And every square centimetre becomes the first page of
an adventure that restarts at every break in the pattern. Could this be
why we say that both textures and plots have twists, and stories are
woven? As even children know, walls are tales. +Not only do they contain
adventures, emotions, moments, loves and hates and record them on
their surfaces; their uneven, active surfaces generate new imaginary
worlds, in which one can literally get lost.
The “Storie” collection by Giorgia Zanellato and Daniele Bortotto
brings this metaphor to three-dimensional life by expressing the
moods, loves and hates and moments that the walls and floors of old
Italian homes conserve, and capturing them in a frozen instant. The
theme of time and the changes wrought in matter by the passing
seasons, weather and human action have always been a strong source
of inspiration for architects: some have tried to freeze it, while others
have used sleight of hand to embrace it while resisting its effects, and
yet others have accelerated, anticipated, directed and re-created it.
Zanellato and Bortotto do all these things at once, engaging in a duel
with History with a capital H, in which it is never clear who is winning:
design or object, man or nature, culture or time. And it is probably this
unresolved tension which makes the “Storie” designs so universal and
meaningful, so intimate and yet familiar. The floor is the only thing we
can be certain that everyone entering our home will touch, and at the
same time it is the most intimate part, the most steeped in private
happenings. They talk about having your “feet firmly on the ground”.
This image stands for common sense, but also a recognition of how
things are, how things work. The wall is a synecdoche, too: it is the part
of the home that expresses an idea of solidity, the layering of time, the
passage of lives. “Storie” gives form to this metaphor by drawing a line
that links the most classical of taste to a sophisticated modernity of
taste and style.
STORIE
Storie: note sulla collezione | Storie: notes on the collection
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